The Old-Fashioned Way

One of the casualties of today’s search engine based technology is research. Writers think that if they plug a few keywords into Google and press enter, then voila! You have all the research you need, without having to leave the comfort of your home office/Barca-lounger/bed.

They couldn’t be more wrong.

A few months ago, I stumbled across a TED Talk on search engine filtering. Apparently engines such as Google and Yahoo store data culled from your browsing habits, and begin to sort and select information based on your location, your visited sites, and anything else they feel might more target you demographically.

What this means is that you are not being provided with an open array of information and material; instead, material is edited according to your location, gender and age.

Let’s not even talk about how Wiki data can be altered by anyone with the urge – or the agenda – to do so.

When I was little, dinosaurs ruled the earth, and the web was nothing more than something that shot out of Spidey’s fingers. We had this fascinating method of obtaining information for our fourth grade papers on evolution. We went to the library.

“What’s a library?” you ask. Oh, my darlings. You are so precious.

A library is a building, a public institution, that is filled with books. Books are these objects that do not select information based upon your demographic. They are there, filled with stories, with articles, with words, all available to anyone smart enough to pick them up and turn the pages.

Instead of search engines, libraries have this thing called a periodical index, where you would search through the index, in alphabetical order, for your keyword, then lo! and behold, before you would be every single item published within that year about your subject. You’d make your list, and scamper merrily over and immerse yourself in the world of microfiche, spending the rest of the day in front of antiquated, croaking machinery, scrolling through rolls and rolls of film, getting your inner geek on.

The beauty of this method of research is that you are truly doing focused research, zeroing in on your target, without the distractions of email, Skype, IM, Facebook, Tweetdeck feeds and internet porn.

It’s also engaging. It’s one thing to stare at a computer screen for hours on end; it’s quite another to physically labor for your fruits, to search for your materials, to select your books, to hold old newspapers, to scroll through centuries of research, articles and musings of others. It’s tactile. The smell of the books. The hush of the library. The synapses fire on overtime; hours later, you emerge exhausted – and exhilarated.

I love libraries. The Downtown Central library here in Los Angeles is a favorite haunt of mine. It’s a short ride on the subway to Pershing Square, then a few blocks walk up Hill Street. For those of you who still cannot grasp the concept of a what a library is, it’s that building where Nic Cage hung out in City of Angels. No, not the hospital. The other one.

I don’t understand the overall attitude people have towards downtown L.A. It’s beautiful. Stunning architecture, towering buildings, incredible eateries, busy people milling by. It’s richly populated, culturally diverse. It’s smart. It’s a city. There are days when I venture down there just to walk the streets and take in the sites. Downtown L.A. is alive.

So, the next time you need to tackle a subject, do yourself – and your story – a favor. Get off your rear and haul yourself to your local public library. I can assure you that your research will be more accurate and more rich than from anything sourced on the net. And, you might just learn something.

Next entry, the other old-fashioned way of doing things – In the Flesh.

Now, go write.

HRH, Princess Scribe

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Tweetathon – The Schedule

In t-minus 7 days, I’ll be back at it, this time raising views for They Live Among Us.

The fine folks at Office Hooky have graciously offered to sponsor the event. To follow the Creator’s antics, simply follow hashtag #ohchat on Twitter, beginning Wednesday, May 9th at 3 a.m. PST, through Thursday, May 10th at 3 a.m. PST. Clothing is optional.

And now…. the schedule.* Is there something on here that you want to see? Feel free to leave it in the Comments section. We’ll try to oblige.

* ~ subject to change

TIME (PST) ACTIVITY DESCRIPTION
3 am Greetings! Hello and Welcome to Tweetathon.What the Tweetathon is all about!
3:30 am View! Viewing of Episodes 1-3 with live Tweets of  behind-the-scenes commentary!
4:30 am Interact! Take Live questions from viewers re: Episodes 1,2,3
5 am Playtime! Movie Mashup! One winner selected!
6 am Interact How it Began: Detailed, in-depth information about the characters that live in the world of TLAU.
7 am Inform Q & A with TLAU Characters.
8 am View! Viewing of Episodes 1-3 with live Tweets of behind-the-scenes commentary!
9 am Interact! Q & A with TLAU Characters.
10 am Panel Panel discussion with web series producers.
11 am Interact! Celebrity Roast
Noon Interact! Music and Booze!
1 pm Inform Fun with Flesh-eaters! Our favorite resident bad boys and girls will Tweet out their favorite recipes!
2 pm Inform How it All Began: Detailed, in-depth information about the characters who live in the world of TLAU.
3 pm View Viewing of Episodes 1-3 with live Tweets of behind-the-scenes commentary!
4 pm Interact Live Q & A for Episodes 1-3
5 pm Playtime! Mad Libs Mania!
6 pm Naked Time! Adventures in Filmmaking: Live, unabashed from-the-trenches stories from the resident royal Guerilla Filmmaker.
7 pm Interact Jammin’ With Jamba: Certified Life Coach Jamba answers live questions about life, love, and the pursuit of Noxema.
8 pm View Viewing of Episodes 1-3 with live Tweets of behind-the-scenes commentary!
9 pm Interact Live Q & A for Episodes 1-3.
10 pm Playtime! Ooooh! TBA!
11 pm Playtime! Movie Title Mashup! One winner announced!
12 am Naked Time! HRH will manhandle… er, list her top ten Hollywood Hot Hunks – and other favorite things.
1 am Interact Open forum!
2 am Danke Schoen! Wrap-up, thanks and goodbye!
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She’s Ba-a-a-ck!

I feel positively guilty. Riddled with it, am I (Yoda-voice).

I have completely been neglecting my blogs. Okay, I have several excuses. Following TLAU wrap, I came down with the flu. I have TLAU Episodes 4=6 in post. I’ve created an adventure/reality show with my fantabulous producing partner and have that out to market. I wrote a pilot in 6 days with aforementioned partner. I am rewriting same, writing a second episode and developing a pitch packet for said pilot. I rode in a NASCAR race-car at 170 mph – in the name of research.  I took a job with the International Screenwriters Association, and I’ve perfected my recipe for braised short ribs. Doing the same for homemade ginger ale next week, courtesy Alton Brown.

And yet, late at night, I hear my blog-sites whispering to me in the dark. I toss and turn, addled with emotion. I imagine that these emotions are what  Jacqueline du Pre felt when she would punish herself by leaving her beloved cello outside, forcing it to do battle against the elements. Okay, I’m not du Pre, and my blog is certainly not the Davydov Stradivarius, but I do fancy the metaphor.

Anyhoo, I’m back. And to celebrate my return, an Event. Yes. I’m doing it again. Wednesday, May 9, beginning 3 a.m. PST, HRH will host another Tweet-a-thon 2012. Sponsored by @OfficeHooky.

What’s a Tweet-a-thon?

It’s an event hosted by #ohchat. I sign onto Twitter at 3 am, PST, and, for the next 24 hours will be issuing live Tweets. We’ll have scheduled viewings of TLAU Episodes 1-3, followed by Q & As. We’ll have live interaction with the characters. We’ll have a Movie Title Mashup, TLAU Character Playlists, live drawings, the Flesheaters’ Recipe Exchange, video updates… and yes. Jamba will be there to answer life questions.

How do I join?

Easy-peasy. Simply follow #ohchat beginning 3 a.m. PST. No, I am NOT going for 90 hours again. Last time I did that, I ended up in bed with the flu – for a month. But yes, I’ll pull 24 hours. Probably more, as I have an 11 am meeting on Thursday, so knowing me, I’ll Tweet, hit the meeting, come back and Tweet some more and collapse at around 7 pm.  It will be worth it.

So, tune in and watch the train wreck ensue. Clothing is optional. You won’t be disappointed. Check out the progression of the last Tweet-a-thon. HRH nearly lost her mind.

Now, go write.

~ HRH, Princess Scribe

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Do What I Say…

At least once a week, I hear from someone who wants to throw the whole she-bang in, and devote their entire life to screenwriting.

Do what I say. Examine this passion, this desire, for to do so is to enter into an existence of work that is 24/7. It never ends. Ever.

What does that mean? Missed birthdays. Soccer games. Holidays? What are those? No time to clean house, no time to fix meals, no time for the salon.

Your work is your life. This is all designed for a future payoff… but will that payoff happen, or are you playing a career kind of lottery?

The cost will be heavy. You have no idea how heavy.

So, next time you are thinking this thought consider this instead: Do what I say. Not what I do.

Now, go write.

HRH, Princess Scribe

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HRH on Scriptcast

Join me tomorrow, Wednesday, February 22nd, at 11 am PST as I broadcast live with Script Doctor Eric, from UCLA Radio, talking about all things story on Scriptcast! It looks to be a rollicking and informative good time to be had by all.

If you have questions for the interview, feel free to Tweet them to @scriptdreric before and during the show. If for some reason you cannot attend the live event, never fear! Scriptcast is available on iTunes as a podcast; the session should be up a day or two following the live event. To tune in, click here.

So drop on in, bring a cuppa and your questions. I look forward to seeing you there.

Now, go write.

HRH, Princess Scribe

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The Great Divide

Monday marked the conclusion of principal photography for another installment of “They Live Among Us.”

I’ve chronicled my adventures in filmmaking on the project blog, as well as on various radio shows and in print publications. What I continue to return to – and scratch my head over – is what a film unfriendly town Los Angeles is to shoot in – unfriendly for the independent filmmaker, without a studio’s coffers to line their pockets.

Poverty can be a good thing, in that it forces creative thinking. You have to write your way out of the corners that you have placed yourself in. You have to focus on character and story, rather than VFX.

It can also be a bad thing in that you must place your trust in unscrupulous people (who will ever forget the infamous Landlord Steve), who prey upon indies like a Komodo dragon on homeless beachcombers. They are everywhere, lurking in the shadows, just waiting for you to wander their way.

And then…. there are the Others. Those who struggled and fought their way through the studio system…. only to forget their humble beginnings. I met one of these creatures early Monday morning.

We had a pre-dawn shoot – our call time was 2 am – at an undisclosed location in the Hollywood Hills. It is a remote area; an uninhabited oasis nestled in between a couple of small neighborhoods.

The usual SNAFUs had occurred; our production trailer had broken down on the 101, so we had to move to the backup plan. Fortunately, the company that was providing our trailer had a backup generator, so they brought it out for our use, and we began to prepare for the night. We established base camp on a bluff that afforded a panoramic view of Hollywood. A flattened boulder became our craft service table. Carnitas were heating, coffee was percolating. Had it not been 40 degrees, it would have been almost romantic.

We had 4 scenes to shoot; all with the characters of Peg and Ted. One was a continuation of where Episode 3 left off, the others a different night in Episode 5. All quiet scenes, punctuated by the deeply internal work of Kendra and David, the actors who play Peg and Ted.

It was a clean, smooth shoot. Dawn quickly approached, and we were on our final shot. As we set up for it, an SUV rolled down the road – we were shooting underneath a street light – and stopped in the middle of our setup. I glanced over as Gary, my line producer, began to speak to the driver, then turned my attention back to the set-up. After a moment, I realized that the SUV was still parked there, and went over to find out what was going on.

Inside the SUV was a woman, probably in her early 50s. She was dressed in business attire, with a mop of curly brown hair. And man, was she pissed.

I asked her if I could help her. She wanted to know “exactly what” we were doing. I told her we were finishing up a scene. She told me that “this” is not how films are made. “It’s not?” I asked her. No, she informed me emphatically. There is a process. A procedure. This is a NEIGHBORHOOD, she said. I glanced around at the hills, devoid of housing, at the dog park. Yes, there was a neighborhood around the bend and over the hill, but we were in a miniature no man’s land. She followed my glance… and grew more enraged. She informed me that she had been on the phone with Film L.A., and she was pretty certain that we did not have permits. “You were on the phone with Film L.A.?” I asked, glancing at my watch. It was 5:40. That action took her anger up a notch. She asked me if I knew where I was. I looked at her quizzically. “This. Is. Los. Angeles,” she said, punctuating each word. “This is the film capital of the WORLD.”

I hesitated, and decided to not correct her. Bollywood, not Hollywood, is the film capital of the world, but she seemed headed towards a stroke, so…

“I have been in the entertainment business for over 20 years,” she said. “And this… this,” she said gesturing to our meagre setup, “This is not how things get done.”

I asked her if we had disturbed her. She replied that she was very disturbed. By what? I asked. We have CARS, she replied. Well, yes, we did. We parked them on the side of the street, as every other person who comes to this location to jog does daily. Our equipment disturbed her. What equipment I asked. LIGHTS, she spat out.

I glanced around. We had one china ball. One.

“You know what you are behaving like?” she hissed. “You are acting like…. a guerilla filmmaker.” She spat the words out as if they were an unmentionable disease, the kind that you don’t talk to your mother about. Then she slammed her gas pedal to the floorboard, peeled down the hill, whipped her SUV around, and drove back to the sanctity of her abode, pausing to give us a good head shake as she passed by.

We returned to work, got the shot, packed up, and within 30 minutes were enjoying the warmth and pancakes of Bob’s Big Boy as we prepped for a company move to our final location.

***

The above story has certainly provided us with a laugh, and has given rise to Tweeting “inside jokes” about monkeys and/or guerilla filmmaking… but it’s also given me pause. This shrew claimed to have worked in the entertainment business for over 20 years. No one starts out in this business on top. It’s work, hard work. You have to fight, tooth and nail, for every rung of the ladder that you climb, while being careful to not step on the fingers/toes/heads of others. You start from humble beginnings when working to establish yourself, and that usually means that you start indie.

When my more established friends ask how the shoot has gone, and I regale them with my newest installment of Adventures in Filmmaking, the response is almost always universal. Their eyes glisten with nostalgia; their voices grow tender and husky, and the phrase I hear most is “God, I miss indie film.” For one brief moment, they all transform into Roy Hobbs, lying in his hospital bed, proclaiming his great love for baseball.

There’s something that happens in indie film; the challenges that you face brings your team closer together. There’s a sense of community, of family. Everyone becomes one. The trials, the tribulations, the angst… all are forgotten as people bond. We’re left richer by the experience; first, because we survived it, second, because of the new stories we have to tell.

There are two brands of people who cross the bridge from indie to studio filmmaking. The first group maintains a deep love for their indie brethren – and compassion for the challenges that we face. They are the first to offer up help, for once, they were there, too.

And then you have the other group. Those that have forgotten from whence they came. Those that cocoon themselves in the false sense of entitlement, and cling fiercely to their perceived status in life.

Which brings me back to that bitter, angry woman who drove through our set, determined to let us know that we were ignorant hacks. As I type this, I’m feeling somewhat sorry for her. Sorry that she has found herself so far removed from her roots. Sorry that she feels the need to toss her baggage onto the shoulders of others. Sorry that she crossed the bridge of entitlement, and now, can only gaze jealously at others, across the great divide.

Now, go write.

HRH, Princess Scribe

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HRH on the Radio – and a Personal Note

Join me today as I meet with host Debra Eckerling of Write On! Online radio, 1 pm Pacific / 4 pm Eastern. We’ll be talking about life, Los Angeles, and all things TLAU. Tune in, you never know what HRH might say. Listen online and join the chat!

After that, I’ll be furiously raising funds for “They Live Among Us” production costs. Three days. 2k. Can she do it? Yes, she can. Will she survive it? I have no idea…

If you have not pledged to the campaign yet, I urge you to consider doing so now. For those of you just tuning into my blog, my name is Anne Lower. That rhymes with “Flower.”

I am an independent filmmaker living in Los Angeles. I made the move to indie film b/c I felt creatively castrated by the studio system. I was tired of the cookie-cutter approach towards storytelling. As a female filmmaker, I found many resisted placing faith in me; so, I decided to make my own project.

I wanted to write about social issues: addiction, violence against women, isolation, poverty and corporate greed. As a resident of a city where millions live, but few know their neighbors, I decided to create a world of outsiders. I believed the ultimate outsider would be a supernatural being. And so the world of “They Live Among Us” was born.

Part gothic romance, part urban horror and part film noir, TLAU tells the story of supernatural beings – fallen angels and spirits, and the mortals they love. Set against the backdrop of Los Angeles, it explores a grittier side of the city. The mean streets. Raymond Chandler meets Stephen King, in a place known as the City of Angels.

Going indie means that you have to acquire your own funding. And so, I have set up my own campaign. We are trying to raise $600 / per minute for our little dream project. Many films cost close to 1 mil per minute. If you want to see what I can do with little, please watch Ep 1-3.

The spirit of indie is that of working from the heart – and the soul. And that is what we have done. Read about one night when we were tested in an article for Film Courage.  Or, listen to my interview with Casey Ryan.  For your amusement, take a look at the Tweet-a-thon vids. The only thing injured during the making of these vids was my dignity.

Please consider making a donation. It takes a village to make a film, and we’d love to have you join our tribe.

Now, go write.

HRH, Princess Scribe

 

 

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